Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.  Related Paintings of Bartolome Esteban Murillo :. | El milagro de la Piscina | San Bernardo and the Virgin Mary | Virgin and Child, | Miracle of the Loaves and Fishes | The Virgin and Child |
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Gerhard Munthe
1849 (1929) was a Norwegian painter and illustrator.Munthe was born in Elverum to physician Christopher Pavels Munthe (1816 C 1884) and his wife Christine Margrethe Pavels Aabel (1827 C 1887). He was a brother of historian and military officer Hartvig Andreas Munthe, writer Margrethe Munthe and military officer Carl Oscar Munthe. He was also an nephew of historian and cartographer Gerhard Munthe and an uncle of genealogist Christopher Morgenstierne Munthe, librarian Wilhelm Munthe and painter Lagertha Munthe. Through his mother he was a nephew of Andreas Leigh Aabel and Oluf Andreas Aabel, and a first cousin of Hauk Aabel. In December 1886 he married Sigrun Sandberg (1869 C 1957). Between 1886 and 1890 Bjørn Bjørnson was his stepfather-in-law. Munthe and Sandberg settled in Sandvika and later Lysaker. Also, Munthe had a studio at Ringstabekk for a short period.The couple divorced in 1919, the same year she married Fridtjof Nansen.
MOLENAER, Jan Miense
Dutch painter (b. ca. 1610, Haarlem, d. 1668, Haarlem). Dutch painter and draughtsman. The surprisingly large oeuvre of this remarkably versatile genre painter displays an inventive symbolism, wit and humour, which identify him as the true forerunner of Jan Steen.
Paolo Alboni
(1671-1734), also called Paolo Antonio Alboni, was an Italian painter of the late-Baroque period. He was born and trained in Bologna, where he became a landscape painter. After practicing some time in Rome and Naples, he went in 1710 to Vienna, where he remained nearly thirteen years, but being deprived of the use of his right side by a stroke, he returned to Bologna; he subsequently painted with his left hand. His daughter, Luigia Maria Rosa, was also a landscape painter. She died in 1759.